#146: shots, deaths and collapses are heard
Three events get a sound: a shot leaving a gun, a vessel dying, a structure
coming down.
The sounds are SYNTHESISED rather than downloaded - audio/make_sfx.py
generates all three from scratch, and is committed alongside them. The
ticket asked for free sources and the good ones are in its comments
(Kenney's CC0 packs, OpenGameArt's CC0 sets, Freesound filtered to CC0),
but a generated sound has no licence to track, no attribution to keep, and
no binary in the repository whose provenance nobody can check a year from
now. It also makes the sounds DATA: too sharp a shot is a number in that
file and a re-run, not a hunt through a library. Dropping in a pack file
later means replacing a .wav and nothing else.
A voice POOL, not a player, because these overlap constantly - a fleet
firing is several shots inside one shot's length. Twelve voices, and when
they are all busy the one furthest through its own sound is recycled, which
is the one with the least left to lose.
Parented to the tree root, for the reason that matters: every one of these
sounds is started by something that is being freed on the same frame. A
dying ship cannot own the sound of its own death.
Levels are per sound rather than shared - a shot fires constantly and a
death happens once, so equal volumes are not proportionate ones - and shots
get a little pitch spread so a stream of them does not flatten into one
machine-gun note. The deaths get none: a wobbling explosion sounds broken
rather than varied.
The test goes at the failures a play-through would hide for weeks: firing
three times the pool size must leave exactly the pool's worth sounding and
no leaked voices, and the ship-death case is checked from a node that really
has been freed on that frame.
2026-08-29 13:05:47 +02:00
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extends SceneTree
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# Headless test: run with
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# godot --headless -s res://tests/test_sfx.gd
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2026-08-31 18:15:37 +02:00
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# Forgejo #146: shots and destruction should be heard. Enemy destruction and
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# incoming narration are covered too, so visual events cannot silently miss
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# the shared sound pool.
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#146: shots, deaths and collapses are heard
Three events get a sound: a shot leaving a gun, a vessel dying, a structure
coming down.
The sounds are SYNTHESISED rather than downloaded - audio/make_sfx.py
generates all three from scratch, and is committed alongside them. The
ticket asked for free sources and the good ones are in its comments
(Kenney's CC0 packs, OpenGameArt's CC0 sets, Freesound filtered to CC0),
but a generated sound has no licence to track, no attribution to keep, and
no binary in the repository whose provenance nobody can check a year from
now. It also makes the sounds DATA: too sharp a shot is a number in that
file and a re-run, not a hunt through a library. Dropping in a pack file
later means replacing a .wav and nothing else.
A voice POOL, not a player, because these overlap constantly - a fleet
firing is several shots inside one shot's length. Twelve voices, and when
they are all busy the one furthest through its own sound is recycled, which
is the one with the least left to lose.
Parented to the tree root, for the reason that matters: every one of these
sounds is started by something that is being freed on the same frame. A
dying ship cannot own the sound of its own death.
Levels are per sound rather than shared - a shot fires constantly and a
death happens once, so equal volumes are not proportionate ones - and shots
get a little pitch spread so a stream of them does not flatten into one
machine-gun note. The deaths get none: a wobbling explosion sounds broken
rather than varied.
The test goes at the failures a play-through would hide for weeks: firing
three times the pool size must leave exactly the pool's worth sounding and
no leaked voices, and the ship-death case is checked from a node that really
has been freed on that frame.
2026-08-29 13:05:47 +02:00
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#
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# The interesting failures here are not "no sound came out" - they are the
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# ones a play-through would not reveal for weeks. A voice pool that runs dry
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# under a firing fleet and silently drops every shot after the twelfth. A
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# sound started by a node that is being freed on the same frame, which is
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# every death in the game. So those are what is checked.
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#
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# Covers:
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# A. every sound the catalog names actually exists and loads
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# B. firing plays a shot, and it survives a fleet firing together - no
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# voice is lost, none is left stuck
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# C. a dying ship is heard, from a node that is freed on the same frame
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2026-08-31 18:15:37 +02:00
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# D. enemy and structure destruction are heard
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#146: shots, deaths and collapses are heard
Three events get a sound: a shot leaving a gun, a vessel dying, a structure
coming down.
The sounds are SYNTHESISED rather than downloaded - audio/make_sfx.py
generates all three from scratch, and is committed alongside them. The
ticket asked for free sources and the good ones are in its comments
(Kenney's CC0 packs, OpenGameArt's CC0 sets, Freesound filtered to CC0),
but a generated sound has no licence to track, no attribution to keep, and
no binary in the repository whose provenance nobody can check a year from
now. It also makes the sounds DATA: too sharp a shot is a number in that
file and a re-run, not a hunt through a library. Dropping in a pack file
later means replacing a .wav and nothing else.
A voice POOL, not a player, because these overlap constantly - a fleet
firing is several shots inside one shot's length. Twelve voices, and when
they are all busy the one furthest through its own sound is recycled, which
is the one with the least left to lose.
Parented to the tree root, for the reason that matters: every one of these
sounds is started by something that is being freed on the same frame. A
dying ship cannot own the sound of its own death.
Levels are per sound rather than shared - a shot fires constantly and a
death happens once, so equal volumes are not proportionate ones - and shots
get a little pitch spread so a stream of them does not flatten into one
machine-gun note. The deaths get none: a wobbling explosion sounds broken
rather than varied.
The test goes at the failures a play-through would hide for weeks: firing
three times the pool size must leave exactly the pool's worth sounding and
no leaked voices, and the ship-death case is checked from a node that really
has been freed on that frame.
2026-08-29 13:05:47 +02:00
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# E. levels are in proportion: a shot fires constantly and a death happens
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# once, so a shot must be the quieter of the two
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# F. sound keeps working while a dialog has the game stopped (#128)
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var game_state: Node
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var scene: Node
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var fleet: Node2D
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var stage: int = 0
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var elapsed: float = 0.0
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func _initialize() -> void:
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# GameState is an autoload: a bare GameState.<instance member> does not
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# compile in a SceneTree script, so the node is fetched by name instead.
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game_state = root.get_node("GameState")
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game_state.reset_new_game()
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game_state.intro_active = false
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game_state.reset_quests()
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game_state.rocks = 500
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func _fail(message: String) -> bool:
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print("TEST_SFX: FAIL (%s)" % message)
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quit(1)
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return true
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func _pool() -> Node:
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return root.get_node_or_null(Sfx.NODE_NAME)
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func _sounding() -> int:
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var pool: Node = _pool()
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if pool == null:
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return 0
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var n: int = 0
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for voice in pool.get_children():
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if (voice as AudioStreamPlayer).playing:
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n += 1
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return n
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func _process(delta: float) -> bool:
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elapsed += delta
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match stage:
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0:
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# --- A. the catalog is real -----------------------------
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for id in Sfx.SOUNDS:
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var path: String = String(Sfx.SOUNDS[id])
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var stream: AudioStream = load(path)
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if stream == null:
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return _fail("the \"%s\" sound (%s) does not load" % [id, path])
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if stream.get_length() <= 0.02:
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return _fail("the \"%s\" sound is %.3fs long - that is silence" \
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% [id, stream.get_length()])
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if not Sfx.LEVELS.has(id):
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return _fail("the \"%s\" sound has no level set" % id)
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print("%d sounds, all loading, all with a level" % Sfx.SOUNDS.size())
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# --- E. and in proportion -------------------------------
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if float(Sfx.LEVELS[Sfx.SHOT]) >= float(Sfx.LEVELS[Sfx.SHIP_DEATH]):
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return _fail("a shot is as loud as a death - one happens constantly, the other once")
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print("shot at %.0fdB, ship death at %.0fdB, structure at %.0fdB" \
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% [Sfx.LEVELS[Sfx.SHOT], Sfx.LEVELS[Sfx.SHIP_DEATH],
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Sfx.LEVELS[Sfx.BUILDING_DEATH]])
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scene = load("res://world/Main.tscn").instantiate()
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root.add_child(scene)
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current_scene = scene
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fleet = scene.get_node("Fleet")
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elapsed = 0.0
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stage = 1
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return false
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1:
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if elapsed < 0.4:
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return false
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scene.get_node("AsteroidField").set_process(false)
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scene.get_node("EnemySpawner").set_process(false)
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if _pool() != null and _sounding() > 0:
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return _fail("something was already sounding before anything happened")
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# --- B. a shot, and then far more than there are voices --
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Sfx.play(self, Sfx.SHOT)
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if _sounding() != 1:
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return _fail("firing played %d sounds, expected 1" % _sounding())
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if _pool().get_parent() != root:
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return _fail("the sound pool hangs off the scene - a death would take it with it")
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for i in range(Sfx.VOICES * 3):
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Sfx.play(self, Sfx.SHOT)
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var busy: int = _sounding()
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if busy != Sfx.VOICES:
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return _fail("%d voices sounding after %d shots, the pool holds %d" \
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% [busy, Sfx.VOICES * 3, Sfx.VOICES])
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if _pool().get_child_count() != Sfx.VOICES:
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return _fail("the pool grew to %d voices" % _pool().get_child_count())
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print("%d shots into a %d-voice pool: %d sounding, none leaked" \
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% [Sfx.VOICES * 3, Sfx.VOICES, busy])
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# --- F. and a dialog does not silence it -----------------
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2026-08-31 18:15:37 +02:00
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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#146: shots, deaths and collapses are heard
Three events get a sound: a shot leaving a gun, a vessel dying, a structure
coming down.
The sounds are SYNTHESISED rather than downloaded - audio/make_sfx.py
generates all three from scratch, and is committed alongside them. The
ticket asked for free sources and the good ones are in its comments
(Kenney's CC0 packs, OpenGameArt's CC0 sets, Freesound filtered to CC0),
but a generated sound has no licence to track, no attribution to keep, and
no binary in the repository whose provenance nobody can check a year from
now. It also makes the sounds DATA: too sharp a shot is a number in that
file and a re-run, not a hunt through a library. Dropping in a pack file
later means replacing a .wav and nothing else.
A voice POOL, not a player, because these overlap constantly - a fleet
firing is several shots inside one shot's length. Twelve voices, and when
they are all busy the one furthest through its own sound is recycled, which
is the one with the least left to lose.
Parented to the tree root, for the reason that matters: every one of these
sounds is started by something that is being freed on the same frame. A
dying ship cannot own the sound of its own death.
Levels are per sound rather than shared - a shot fires constantly and a
death happens once, so equal volumes are not proportionate ones - and shots
get a little pitch spread so a stream of them does not flatten into one
machine-gun note. The deaths get none: a wobbling explosion sounds broken
rather than varied.
The test goes at the failures a play-through would hide for weeks: firing
three times the pool size must leave exactly the pool's worth sounding and
no leaked voices, and the ship-death case is checked from a node that really
has been freed on that frame.
2026-08-29 13:05:47 +02:00
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var narration: Control = scene.get_node("UI/NarrationBanner")
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narration.say("Everything stops but this.", "TEST")
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2026-08-31 18:15:37 +02:00
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if _sounding() == 0:
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return _fail("a narration line appeared in silence")
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#146: shots, deaths and collapses are heard
Three events get a sound: a shot leaving a gun, a vessel dying, a structure
coming down.
The sounds are SYNTHESISED rather than downloaded - audio/make_sfx.py
generates all three from scratch, and is committed alongside them. The
ticket asked for free sources and the good ones are in its comments
(Kenney's CC0 packs, OpenGameArt's CC0 sets, Freesound filtered to CC0),
but a generated sound has no licence to track, no attribution to keep, and
no binary in the repository whose provenance nobody can check a year from
now. It also makes the sounds DATA: too sharp a shot is a number in that
file and a re-run, not a hunt through a library. Dropping in a pack file
later means replacing a .wav and nothing else.
A voice POOL, not a player, because these overlap constantly - a fleet
firing is several shots inside one shot's length. Twelve voices, and when
they are all busy the one furthest through its own sound is recycled, which
is the one with the least left to lose.
Parented to the tree root, for the reason that matters: every one of these
sounds is started by something that is being freed on the same frame. A
dying ship cannot own the sound of its own death.
Levels are per sound rather than shared - a shot fires constantly and a
death happens once, so equal volumes are not proportionate ones - and shots
get a little pitch spread so a stream of them does not flatten into one
machine-gun note. The deaths get none: a wobbling explosion sounds broken
rather than varied.
The test goes at the failures a play-through would hide for weeks: firing
three times the pool size must leave exactly the pool's worth sounding and
no leaked voices, and the ship-death case is checked from a node that really
has been freed on that frame.
2026-08-29 13:05:47 +02:00
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if not paused:
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return _fail("the dialog did not stop the game, so this proves nothing")
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for voice in _pool().get_children():
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if not (voice as AudioStreamPlayer).can_process():
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return _fail("sound stops whenever a dialog is up")
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print("a dialog stops the game and sound carries on")
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while narration.dismiss():
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pass
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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elapsed = 0.0
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stage = 2
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return false
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2:
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if elapsed < 0.3:
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return false
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# --- C. a death, from a node freed on the same frame -----
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fleet.spawn_ships(2, Vector2.ZERO,
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PackedStringArray([GameState.VESSEL_INTERCEPTOR,
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GameState.VESSEL_INTERCEPTOR]))
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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var doomed: Node2D = fleet.ships[0]
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doomed.take_damage(1)
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if not is_instance_valid(doomed) or not doomed.is_queued_for_deletion():
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return _fail("the ship was not freed, so this is not the case that matters")
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if _sounding() == 0:
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return _fail("a vessel died in silence")
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print("a vessel freed on the frame it dies is still heard")
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2026-08-31 18:15:37 +02:00
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# An enemy uses the same persistent pool. Its own node is freed on
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# this frame too, so the call must happen before queue_free().
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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var enemy: Node2D = load("res://enemies/Enemy.tscn").instantiate()
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scene.add_child(enemy)
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enemy.take_damage(enemy.hp)
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if not enemy.is_queued_for_deletion():
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return _fail("the enemy was not destroyed")
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if _sounding() == 0:
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return _fail("an enemy vessel exploded in silence")
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print("an enemy vessel explosion is heard")
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#146: shots, deaths and collapses are heard
Three events get a sound: a shot leaving a gun, a vessel dying, a structure
coming down.
The sounds are SYNTHESISED rather than downloaded - audio/make_sfx.py
generates all three from scratch, and is committed alongside them. The
ticket asked for free sources and the good ones are in its comments
(Kenney's CC0 packs, OpenGameArt's CC0 sets, Freesound filtered to CC0),
but a generated sound has no licence to track, no attribution to keep, and
no binary in the repository whose provenance nobody can check a year from
now. It also makes the sounds DATA: too sharp a shot is a number in that
file and a re-run, not a hunt through a library. Dropping in a pack file
later means replacing a .wav and nothing else.
A voice POOL, not a player, because these overlap constantly - a fleet
firing is several shots inside one shot's length. Twelve voices, and when
they are all busy the one furthest through its own sound is recycled, which
is the one with the least left to lose.
Parented to the tree root, for the reason that matters: every one of these
sounds is started by something that is being freed on the same frame. A
dying ship cannot own the sound of its own death.
Levels are per sound rather than shared - a shot fires constantly and a
death happens once, so equal volumes are not proportionate ones - and shots
get a little pitch spread so a stream of them does not flatten into one
machine-gun note. The deaths get none: a wobbling explosion sounds broken
rather than varied.
The test goes at the failures a play-through would hide for weeks: firing
three times the pool size must leave exactly the pool's worth sounding and
no leaked voices, and the ship-death case is checked from a node that really
has been freed on that frame.
2026-08-29 13:05:47 +02:00
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# --- D. a structure ------------------------------------
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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var field: Node2D = scene.get_node("BuildingField")
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var id: int = game_state.add_building(GameState.BUILDING_SHIP_CRAFTER,
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Vector2(400.0, 0.0))
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field.rebuild_all()
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game_state.destroy_building(id)
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if _sounding() == 0:
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return _fail("a structure came down in silence")
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print("a structure coming down is heard")
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2026-09-05 12:16:17 +02:00
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# --- G. the things #210/#213/#214 asked to be able to hear -----
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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var rock: Node2D = load("res://world/Asteroid.tscn").instantiate()
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scene.add_child(rock)
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rock.shatter(false)
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if _sounding() == 0:
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return _fail("an asteroid broke apart in silence")
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print("a destroyed asteroid is heard")
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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var bomb: Node2D = load("res://vfx/GasBombEffect.gd").launch(
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scene, Vector2.ZERO, Vector2(300.0, 0.0), 6)
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if _sounding() != 0:
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return _fail("the gas bomb made its noise on the throw, not the blast")
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bomb._explode()
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if _sounding() == 0:
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return _fail("a gas bomb bloomed in silence")
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print("a gas bomb is heard when it blooms, and not before")
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# The hold has to be able to take the deposit, or there is no
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# arrival to hear.
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game_state.fleet_inventory.total_capacity = -1
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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if game_state.deposit_fleet_resource(GameState.RESOURCE_ORE, 1) != 1:
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return _fail("the fleet hold refused a single rock")
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var after_first: int = _sounding()
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if after_first == 0:
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return _fail("a rock reached the fleet hold in silence")
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# Mining lands one unit at a time, so the window is the whole of
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# what stops this being a machine-gun.
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game_state.deposit_fleet_resource(GameState.RESOURCE_ORE, 1)
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game_state.deposit_fleet_resource(GameState.RESOURCE_ORE, 1)
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if _sounding() != after_first:
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return _fail("a burst of pickups opened %d voices, not the %d one blip needs" \
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% [_sounding(), after_first])
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print("a rock arriving in the hold is heard, and a burst of them only once")
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# The bank is a number moving in a building the player is not in.
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for voice in _pool().get_children():
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(voice as AudioStreamPlayer).stop()
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game_state._pickup_sound_at = 0
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game_state.deposit_bank_resource(GameState.RESOURCE_ORE, 5)
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if _sounding() != 0:
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return _fail("a deposit into the bank made a pickup noise")
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print("banked resources stay silent")
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#146: shots, deaths and collapses are heard
Three events get a sound: a shot leaving a gun, a vessel dying, a structure
coming down.
The sounds are SYNTHESISED rather than downloaded - audio/make_sfx.py
generates all three from scratch, and is committed alongside them. The
ticket asked for free sources and the good ones are in its comments
(Kenney's CC0 packs, OpenGameArt's CC0 sets, Freesound filtered to CC0),
but a generated sound has no licence to track, no attribution to keep, and
no binary in the repository whose provenance nobody can check a year from
now. It also makes the sounds DATA: too sharp a shot is a number in that
file and a re-run, not a hunt through a library. Dropping in a pack file
later means replacing a .wav and nothing else.
A voice POOL, not a player, because these overlap constantly - a fleet
firing is several shots inside one shot's length. Twelve voices, and when
they are all busy the one furthest through its own sound is recycled, which
is the one with the least left to lose.
Parented to the tree root, for the reason that matters: every one of these
sounds is started by something that is being freed on the same frame. A
dying ship cannot own the sound of its own death.
Levels are per sound rather than shared - a shot fires constantly and a
death happens once, so equal volumes are not proportionate ones - and shots
get a little pitch spread so a stream of them does not flatten into one
machine-gun note. The deaths get none: a wobbling explosion sounds broken
rather than varied.
The test goes at the failures a play-through would hide for weeks: firing
three times the pool size must leave exactly the pool's worth sounding and
no leaked voices, and the ship-death case is checked from a node that really
has been freed on that frame.
2026-08-29 13:05:47 +02:00
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print("TEST_SFX: PASS")
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quit(0)
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return true
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return false
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